In simple terms
A friendly intro before the formal notes — no formulas yet.
Traditional media and the new media
9699 — print, broadcast, and digital media; convergence and changing audiences.
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Comprises print (e.g., The Times) and broadcast (e.g., BBC One) media.
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Characterised by a one-to-many, top-down communication model.
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Producers are professionals; the audience is typically large and passive.
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Content is delivered on a fixed schedule, limiting consumer choice.
Explore the concept
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At a glance — side by side
Compare key properties side by side — ideal for exam contrasts.
Comparison of Traditional and New Media
| Feature | Traditional Media | New Media |
|---|---|---|
| Communication Model | One-to-many; top-down; centralised. | Many-to-many; interactive; decentralised. |
| Audience Role | Passive consumer; limited feedback. | Active participant; 'prosumer'; user-generated content. |
| Production | Professional, expensive, and institutional. | Amateur and professional; low cost of entry. |
| Accessibility & Delivery | Fixed schedules (e.g., 9pm news); limited choice. | On-demand; instant; global reach. |
| Regulation | Often subject to strong state regulation and censorship (e.g., Ofcom in the UK). | Largely unregulated or self-regulated; difficult to censor. |
Communication Model
Traditional Media
New Media
Audience Role
Traditional Media
New Media
Production
Traditional Media
New Media
Accessibility & Delivery
Traditional Media
New Media
Regulation
Traditional Media
New Media
Full topic notes
Formal explanation with the rigour you need for the exam.
Understanding Traditional Media: Print and Broadcast
Traditional media refers to centralised, one-to-many communication platforms that predate the internet. This category is broadly divided into print media (newspapers, magazines, books) and broadcast media (terrestrial and satellite television, radio). A defining characteristic is the one-way, top-down flow of information from a small number of professional producers to a large, anonymous, and generally passive mass audience. Consumption is often tied to fixed schedules, such as a nightly news bulletin or a weekly magazine publication. Sociologists like those from the Frankfurt School originally viewed this media as a powerful tool for transmitting a dominant ideology to a homogenised audience, a concept encapsulated in early models like the hypodermic syringe model.
Comprises print (e.g., The Times) and broadcast (e.g., BBC One) media.
Characterised by a one-to-many, top-down communication model.
Producers are professionals; the audience is typically large and passive.
Content is delivered on a fixed schedule, limiting consumer choice.
Often associated with theories of mass culture and passive audiences.
The Emergence and Characteristics of New Media
New media, or digital media, encompasses a wide range of technologies based on digital information and distributed via the internet. This includes websites, social media platforms (like Instagram and X), streaming services (like Netflix), and interactive mobile applications. Unlike traditional media, new media is defined by its interactivity, allowing for two-way, many-to-many communication. Users are not just consumers but can also be producers of content (prosumers). This has led to the rise of user-generated content and citizen journalism. Its on-demand nature, decentralisation, and global reach fundamentally alter the relationship between media producers and audiences, challenging the established power of traditional media corporations.
Based on digital technology and internet distribution.
Features interactivity, allowing for user participation and feedback.
Enables user-generated content, creating 'prosumers' rather than just consumers.
Content is typically 'on-demand', accessible at any time.
Decentralised and global in its reach and structure.
Technological Convergence and its Sociological Impact
Technological convergence, a concept popularised by Henry Jenkins, describes the process by which different forms of media content (video, text, audio) are combined and delivered through a single device or platform. For example, a modern smartphone allows a user to read a newspaper, watch a television show, listen to the radio, and communicate with others. This 'black box' technology blurs the lines between previously distinct media industries. For media corporations, it means diversifying across platforms to survive. For audiences, it creates a more integrated and personalised media experience but can also lead to information overload and concerns over corporate control, as a few tech giants (like Apple or Google) control the primary gateways to this converged content.
The merging of different media forms into a single technology.
Driven by digitalisation and internet connectivity.
Blurs the boundaries between media producers and consumers.
Impacts corporate strategy, forcing media companies to operate across multiple platforms.
Creates a personalised but potentially corporately-controlled media environment.
Changing Audiences: From Passive Consumers to Active Prosumers
The shift from traditional to new media has profoundly changed the nature of media audiences. Traditional media theories often portrayed audiences as passive recipients of information. In contrast, new media facilitates an active, participatory audience. Alvin Toffler's concept of the 'prosumer' is key here: individuals are simultaneously producers and consumers of media content. This is evident in blogs, vlogs, social media updates, and citizen journalism, where ordinary people report on events, often faster than traditional news outlets. This challenges the professional dominance of journalists and editors. However, sociologists like Keen are critical, arguing that much user-generated content is trivial and that true power remains with the large corporations that own the platforms.
New media enables a shift from a passive to an active audience model.
The term 'prosumer' describes users who both consume and produce content.
Citizen journalism challenges the authority and speed of traditional news.
Audiences can now filter, comment on, and share media, shaping its meaning.
Evaluation: The extent of audience power is debated; corporations still hold significant control.
In essays, avoid treating 'traditional' and 'new' media as entirely separate. The best answers analyse the process of convergence and discuss how traditional media institutions (like the BBC or The Guardian) have adapted by incorporating new media strategies, such as using social media and offering on-demand services like BBC iPlayer.
Worked examples
See the formulas applied — reveal one step at a time, like the exam.
A national newspaper, 'The Daily Herald', had an average daily print circulation of 800,000 in 2012. By 2022, its print circulation had fallen to 200,000. Over the same period, its website's unique monthly visitors grew from 3 million to 21 million. (a) Calculate the percentage decline in print circulation. (b) Calculate the percentage increase in unique monthly online visitors. (c) Briefly explain one way this trend illustrates the concept of media convergence. [10 marks]
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Part (a): Percentage decline in print circulation
Assess the view that new media have democratised the production of news. [15 marks]
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Democratisation case: Citizen journalism — phone footage, Twitter reports; lower barriers to publish; diverse voices bypass gatekeepers; Arab Spring optimism (debated).
How it all connects
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Glossary
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Quick check
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Revision flashcards
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Traditional media?
One-to-many broadcast — TV, press, radio with professional gatekeepers.
Key takeaways
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- ✓
Comprises print (e.g., The Times) and broadcast (e.g., BBC One) media.
- ✓
Characterised by a one-to-many, top-down communication model.
- ✓
Producers are professionals; the audience is typically large and passive.
- ✓
Content is delivered on a fixed schedule, limiting consumer choice.
- ✓
Often associated with theories of mass culture and passive audiences.
Practice — then mark it
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Mark a media types question
Mark a media types question
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Checkpoint
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