In simple terms
A friendly intro before the formal notes — no formulas yet.
Stationary waves
Cambridge 9702 Paper 2 — Stationary waves (8.1). Senpai Corner diagram-backed pilot with premium structure and live visuals.
- 1
Stationary waves are formed by the principle of superposition.
- 2
Superposition states that when two or more waves meet at a point, the resultant displacement is the vector sum of the individual displacements.
- 3
A stationary wave is produced by the superposition of two progressive waves of the same frequency, wavelength, and amplitude, travelling in opposite directions.
- 4
This is commonly achieved when a wave reflects from a boundary and interferes with the incident wave.
What this topic covers
The official Cambridge syllabus points this lesson works through.
- 8.1.1
Explain and use the principle of superposition
- 8.1.2
Show an understanding of experiments that demonstrate stationary waves using microwaves, stretched strings and air columns (it will be assumed that end corrections are negligible; knowledge of the concept of end corrections is not required)
- 8.1.3
Explain the formation of a stationary wave using a graphical method, and identify nodes and antinodes
- 8.1.4
Understand how wavelength may be determined from the positions of nodes or antinodes of a stationary wave
Explore the concept
Use the live diagram and synced steps — play it or tap a step card to walk through.
Two waves interfere to give a fixed pattern — scrub time to see it oscillate in place.
Key formulas
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Full topic notes
Formal explanation with the rigour you need for the exam.
The Genesis of a Stationary Wave
A stationary wave forms when two progressive waves, possessing the exact same frequency, wavelength, and amplitude, travel through the same medium in opposite directions. They combine or 'superpose' at every point. This often happens when a wave reflects off a boundary and interferes with the incident wave.
Stationary waves are formed by the principle of superposition.
Superposition states that when two or more waves meet at a point, the resultant displacement is the vector sum of the individual displacements.
A stationary wave is produced by the superposition of two progressive waves of the same frequency, wavelength, and amplitude, travelling in opposite directions.
This is commonly achieved when a wave reflects from a boundary and interferes with the incident wave.
Constructive interference (waves in phase) and destructive interference (waves in antiphase) occur at fixed positions.
Nodes and Antinodes: The Fixed Points
At a node, the two progressive waves always interfere destructively, resulting in zero or minimum displacement. Particles at nodes never move from their equilibrium position. Conversely, at an antinode, the waves always interfere constructively, leading to maximum displacement. Particles here oscillate with the largest amplitude.
The distance between an adjacent node and antinode is a quarter of a wavelength (λ/4).
The distance between two adjacent nodes is half a wavelength (λ/2).
The distance between two adjacent antinodes is also half a wavelength (λ/2).
Harmonics on a String
When a string or air column vibrates, it can form various stationary wave patterns called harmonics. Each harmonic corresponds to a specific resonant frequency, which is an integer multiple of the lowest possible frequency, known as the fundamental frequency (or first harmonic).
The fundamental frequency produces a stationary wave with just one antinode between the fixed ends (e.g., a string). The n-th harmonic will feature 'n' antinodes within the vibrating section of the medium.
Formula: Frequency of a Vibrating String
Where:
- is the frequency of vibration (Hz)
- is the length of the vibrating string (m)
- is the tension in the string (N)
- (mu) is the mass per unit length of the string (kg m⁻¹)
Stationary Waves in Air Columns
Stationary waves are also fundamental to the operation of wind instruments. They are formed in a column of air within a pipe, caused by sound waves reflecting from the ends of the pipe. The nature of the stationary wave depends on whether the ends of the pipe are open or closed.
Pipe Closed at One End: For a pipe of length L that is closed at one end and open at the other, the fundamental mode of vibration (first harmonic) has one node at the closed end and one antinode at the open end. This means the length of the pipe is a quarter of a wavelength (). Because of this boundary condition, only odd-numbered harmonics can be produced (, etc.).
Pipe Open at Both Ends: For a pipe of length L that is open at both ends, there must be an antinode at each end. The fundamental mode of vibration has an antinode at each end and one node in the middle. This means the length of the pipe is half a wavelength (). All integer harmonics can be produced (, etc.).
A closed end of a pipe is a boundary where the air particles cannot move, so it is always a displacement node.
An open end of a pipe is a boundary where the air particles are free to move with maximum amplitude, so it is always a displacement antinode.
A common mistake is confusing stationary waves with progressive waves. Remember, stationary waves do NOT transfer net energy, and their nodes and antinodes are fixed in position, unlike the constantly moving crests and troughs of progressive waves. Also, be precise with and distances, and carefully identify the boundary conditions for strings (node-node) versus air columns (node-antinode or antinode-antinode).
Worked examples
See the formulas applied — reveal one step at a time, like the exam.
A string of length 0.80 m has a mass of 4.0 g. When stretched with a tension of 20 N, calculate the fundamental frequency of vibration.
- 1
First, calculate the mass per unit length, . Remember to convert mass to kilograms.
A guitar string of length 75 cm is fixed at both ends. It is plucked and vibrates in its third harmonic mode. The frequency of this sound is found to be 660 Hz. (a) Determine the wavelength of the waves on the string. (b) Calculate the speed of the progressive waves on the string.
- 1
First, relate the string length to the wavelength for the third harmonic. The third harmonic (n=3) has three antinodes ('loops') on the string. The total length L contains three half-wavelengths.
How it all connects
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Glossary
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Quick check
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Revision flashcards
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How are stationary waves typically formed?
By the superposition of two identical progressive waves travelling in opposite directions.
Key takeaways
Review these before you close the topic — retrieval beats re-reading.
- ✓
Stationary waves are formed by the principle of superposition.
- ✓
Superposition states that when two or more waves meet at a point, the resultant displacement is the vector sum of the individual displacements.
- ✓
A stationary wave is produced by the superposition of two progressive waves of the same frequency, wavelength, and amplitude, travelling in opposite directions.
- ✓
This is commonly achieved when a wave reflects from a boundary and interferes with the incident wave.
- ✓
Constructive interference (waves in phase) and destructive interference (waves in antiphase) occur at fixed positions.
Practice — then mark it
The whole point: a real Cambridge question, marked mark-by-mark.
9702/22 · Q4(b)(iii)
The piston is moved to the left. The frequency of the sound wave emitted by the loudspeaker is then changed so that a stationary wave is formed with same number of antinodes as in Fig. 4.1. State and explain the change that is made to the frequency of the sound wave.
9702/23 · Q4(d)
The wave is a water wave produced by a dipper S₁ attached to a vibrator in a ripple tank. An identical dipper S₂ is attached to the same vibrator. The two dippers produce an interference pattern on the water in the tank, as shown in Fig. 4.3. The wave crests from each source are represented by solid lines on Fig. 4.3 and the wave troughs are represented by dashed lines. At point P in Fig. 4.3, the wave from S₁ has the same amplitude A as the wave from S₂. Describe and explain the amplitude of the resultant wave at point P.
Extra simulations & links
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Frequently asked
Checkpoint
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